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    • Political Satire: Sandhesam (1991) lampooned Kerala’s factional communist politics. Jana Gana Mana (2022) critiques institutional apathy.
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    • The Intellectual Protagonist: Films like Ee.Ma.Yau (2018) center on a poor man planning his father’s funeral with absurdist existentialism—a distinctly Keralite blend of philosophy and the mundane.