The Turner Film Diaries (2012), directed by James T. Hong and Chen Yin-Ju, is an experimental short film that serves as a provocative visual adaptation and critique of William Luther Pierce’s 1978 racist novel. Using a "pseudo-educational" approach, the 26-minute film adopts the novel's extremist, white-supremacist perspective to explore the logic behind its violent, apocalyptic narrative. For further details, see the film's profile on MUBI .
“Reel 47. If you’re reading this, I’m probably already deleted.” the turner film diaries exclusive
Understanding the film requires context on the novel, which is widely considered one of the most dangerous and influential books in white nationalist circles. The Turner Film Diaries (2012), directed by James T
: It is considered one of the most influential works of violent extremist propaganda in the English language, often cited as a blueprint for "leaderless resistance". Film Credits & Availability James T. Hong Yin-Ju Chen : Approximately 26-30 minutes. : Experimental Short / History / Sci-Fi. For further details, see the film's profile on MUBI
Turner was a fly on the wall during Orson Welles’ turbulent production of Citizen Kane . According to the diary, Welles shot an alternative ending where the sled "Rosebud" is not burned but is instead saved by a janitor who recognizes it from his own childhood. Turner writes: "Orson threw the reel into the lake at 3 AM. 'Too sentimental,' he said. 'The public doesn't deserve happy ghosts.'" This exclusive entry reframes Welles not as a pure auteur, but as a ruthless editor of his own psychology.